The Conversations: Walter Murch and the Art of Editing Film. Michael Ondaatje

The Conversations: Walter Murch and the Art of Editing Film


The.Conversations.Walter.Murch.and.the.Art.of.Editing.Film.pdf
ISBN: 9780375709821 | 368 pages | 10 Mb


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The Conversations: Walter Murch and the Art of Editing Film Michael Ondaatje
Publisher: Knopf Doubleday Publishing Group



While editing The Unbearable Lightness of Being in France, Academy Award-winning film editor and sound designer Walter Murch came across a reference to Italian writer Curzio Malaparte's description of horses being suddenly flash frozen . His most recent nonfiction work is The Conversations: Walter Murch & the Art of Editing Film. (Another incredible "interview" book that's a must read: The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaatje. Murch was also the subject of interest to novelist Michael Ondaatje who composed The Conversations: Walter Murch and the Art of Editing Film (2002). Lecture that I had given in Los Angeles over the summer at the County Museum on film and film sound, specifically on The Conversation and Apocalypse Now, for which I had done the sound design and the sound mix as well as the picture editing. In The Conversations you talk about the lead role of Apocalypse Now being originally shot with Harvey Keitel, and how that was a totally different film because when you look at Keitel it's not about watching him observe things. The Conversations: Walter Murch and the Art of Editing Film (Paperback) newly tagged "books". Ondaatje's latest novel is titled Divisadero (2007). How did you get involved in the re-editing of Touch of Evil? Ondaatje's most recent nonfiction work is The Conversations: Walter Murch & the Art of Editing Film. Here's what he had to say: WalterMurch. €�The Conversations: Walter Murch and the Art of Editing Film” by Michael Ondaatje. His novel Divisadero (2007) won Canada's Governor-General Award. Ondaatje is also the author of The Conversations: Walter Murch & The Art Of Editing Film, an invaluable non-fiction work that explores the uniquely powerful role of the editor within the creative process of filmmaking. Walter Murch, who years later re-edited the movie to Welles's specifications, comments extensively on this in his book-length interview with Michael Ondaatje, The Conversations: Walter Murch And The Art of Editing Film. In 1998, while researching the revision of Touch of Evil, I pursued an interview with Walter Murch, then and now arguably the dean of American film sound and. I'm currently reading “The Conversations: Walter Murch and the Art of Editing Film” and despite the fact it's about editing, the amount of storytelling insight displayed by Murch is truly astonishing. In Murch's book, The Conversations: Walter Murch and the Art of Editing Film, he discusses how to choose the work that makes you happiest.





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